Curatorial Narrative The enigmatic “Belgium” by Anonymous embodies the spirit of post-war modernity, its creation coinciding with the inception of SABENA in 1929. This period saw the emergence of streamlined aerodynamics and avant-garde design principles, influencing not only the world of transportation but also the realm of visual representation. The artist’s deliberate choice to eschew traditional brushwork in favor of a photorealistic approach attests to an interest in capturing the essence of modernity through technical precision rather than expressive gesture. Upon enlargement to 44×66 inches, “Belgium” reveals itself as a masterful exercise in spatial rhythm and chromatic structure. The blue sky and white clouds assume a deep, almost three-dimensional quality, while the pastel building facades appear as delicate silhouettes against the vibrant backdrop of red drapes and gold accents. In this enlarged format, the atmospheric