Curatorial Narrative In 1876, Andr Gill’s “Cher cousin” embodied the Victorian era’s propensity for biting satire, its creator’s skill in capturing the nuance of fine brushwork a testament to his status as a master of lithography. The work’s figurative subject matter, juxtaposed with a palette dominated by black and white, serves to underscore Gill’s use of modern design styles to comment on contemporary issues. At this time, cartoonists were increasingly turning their attention to politics, leveraging the visual impact of caricature to convey pointed social commentary. As “Cher cousin” is enlarged to 44×51, its chromatic structure assumes a commanding presence in an interior environment. The deep red accents that punctuate the composition assert a strong spatial rhythm, drawing the viewer’s eye through the atmospheric weight of the scene. When paired with richly textured materials such as hand-tufted wool or velvet, these element