Curatorial Narrative “Days Without End” is an enigmatic work from the tumultuous era of 1934-1943, when the world was on the cusp of catastrophic change. The artist’s decision to forgo brushwork and instead employ a geometric, Art Deco aesthetic bespeaks a desire to transcend the emotive and the sentimental, instead embracing a modernist ethos that prioritized clarity over expression. This chromatic structure, characterized by an interplay between blues, reds, whites, and yellows, creates an almost palpable tension, as if the very fabric of space is being manipulated to evoke a sense of temporal dislocation. When enlarged to 44×70, “Days Without End” assumes a commanding presence that belies its relatively modest scale. The palette’s chromatic structure becomes even more pronounced, with the cool blues and whites dominating the visual field while bursts of red and yellow inject a dynamic tension into the atmosphere. This spatial r