Curatorial Narrative The Anonymous portrait of Edmund Kean as King Richard III is an exemplar of classical figurative art, redolent with the atmospheric weight of 18th-century portraiture. Executed in a soft, brushy style that belies its historical significance, this work embodies the tension between elegance and drama inherent to the Baroque period. The palette, dominated by beige, white, black, and crimson hues, is tempered by the judicious application of gold leaf, which imbues the subject with an aura of nobility. When enlarged to a scale commensurate with a luxury interior environment say, 44×48 feet this painting’s chromatic structure and spatial rhythm assume a new significance. The beige and white tones of the subject’s attire blend harmoniously with the surrounding walls, while the bold, dark accents of the background provide a striking contrast that draws the eye upward. The spatial depth created by the artist’s use of