Curatorial Narrative In 1973, the anonymous artist’s “Free them now ; Solidarity Sunday” inscribes itself into the gestalt of Pop Art, its minimalist style an astute response to the tumultuous social climate. The use of architectural motifs stripped bare of ornamentation and narrative, plunges the viewer into a chromatic structure that eschews figural representation in favor of pure visuality. A deliberate flattening of perspective serves to underscore the work’s alignment with Modernist ideals, while the selection of red, white, and blue an ostensibly straightforward choice for a solidarity statement imbues the image with an almost clinical detachment. When enlarged to 44×67, “Free them now ; Solidarity Sunday” reveals itself as a masterful exercise in spatial rhythm. The interplay between the bold, rectangular form and the surrounding negative space takes on an almost sculptural quality, its presence both occupying and definin