Curatorial Narrative In the midst of the Roaring Twenties, Antoni Kozakiewicz’s “Gypsies” (1924) embodies the artist’s mastery of Realism, transporting viewers to a rustic landscape teeming with life. The impasto brushwork, characteristic of Kozakiewicz’s technique, imbues the scene with a tactile quality, as if the viewer could reach out and touch the rough-hewn trees or the worn, earth-toned fabrics of the gypsies’ encampment. This visual immediacy is reinforced by the chromatic structure, which privileges a muted palette of greens, blues, yellows, browns, and reds to evoke a sense of authenticity, as if the artist had merely transcribed the natural world onto canvas.When enlarged to 64×44, “Gypsies” assumes an architectural scale that harmonizes with the spatial rhythm of a luxury interior environment. The palette’s earthy tones create a visual anchor, grounding the space and facilitating material pairings that emphasize natural