Curatorial Narrative In 1977, the artist known only as Anonymous crafted “Harvey Wasserman; Civil disobedience & direct action from the Boston Tea Party to Seabrook occupation”, a woodcut or lithograph that engages with the Modernist and Postmodernist design idioms of its time. The linear brushwork and monochromatic palette imbue the work with an unyielding sense of conviction, while its architectural subject matter underscores the artist’s interest in the performative aspects of space. This tension between form and content is characteristic of Anonymous’ oeuvre, which often prioritizes the social over the aesthetic. As the print is scaled to 58×44, its chromatic structure becomes increasingly dominant. The black lines that define the architectural forms appear to press against one another, generating a spatial rhythm that oscillates between containment and liberation. This tension is further heightened by the atmospheric weight o