Curatorial Narrative Anny Dollschein’s Huser is an exemplary instance of Impressionist painting’s ability to capture the fleeting effects of light on architecture. The artist’s loose brushwork and emphasis on capturing ephemeral color relations imbue the composition with a sense of atmospheric weight, drawing the viewer into the spatial rhythm established by the arrangement of buildings. By eschewing traditional perspective and adopting instead a Modern Minimalist approach, Dollschein creates a sense of visual equilibrium that belies the actual scale of the structures depicted. When enlarged to 44×55 inches, Huser’s chromatic structure takes on a life of its own, with pinks, purples, and greens blending and merging in a complex interplay of color. The spatial depth established by Dollschein’s loose brushwork appears almost three-dimensional, inviting the viewer to traverse the composition through subtle shifts in visual attention.