Curatorial Narrative In 1756, Anna Rosina de Gasc’s “Peter III and Catherine II of Russia” situated itself within the opulent world of Baroque portraiture. De Gasc’s technique demonstrated an adherence to fine brushwork, as evident in the delicate treatment of the monarchs’ attire and the intricate details of their surroundings. The visual intent behind this work is not merely a representation of the Russian imperial couple but rather an exercise in atmospheric conjuring, where the richness of the palette featuring deep browns, creamy whites, and rich golds serves to envelop the viewer in a sense of regal gravitas. Upon enlargement, the original 44×62 inches reveal an architectural scale behavior that is at once imposing and elegant. The chromatic structure of de Gasc’s palette retains its luminosity, imbuing the space with a sense of expansive grandeur. Spatial depth, achieved through the masterful use of atmospheric perspectiv