Curatorial Narrative In the early years of the 1780s, Angelica Kauffmann’s portrait of her husband, the painter Antonio Zucchi, stands as a testament to the Neoclassical movement’s pervasive influence on European art. Executed in 1781, this work embodies the era’s reverence for classical ideals and its concomitant emphasis on rationality and control. Through the deliberate application of impasto technique, Kauffmann imbues her subject with a tactile, almost sculptural presence that belies the portrait’s essentially two-dimensional form. The judicious deployment of dark browns and blacks serves to create an atmosphere of gravitas, subtly underscored by the occasional highlight of white or gold. As this painting is enlarged to its original size of 44×53, its chromatic structure assumes a commanding presence in a luxury interior environment. The spatial rhythm established by Kauffmann’s measured use of negative space and carefully ca