Curatorial Narrative In 1878, Andr Gill’s “Sarah Bernhardt” exemplifies the caricature genre at its most refined. The artist’s technique is characterized by deliberate linear brushwork that yields a sense of graphic clarity, as if the subject were rendered in ink rather than paint. This mannerist sensibility is compounded by an eclectic mix of design styles, including the ornate Victorian flourishes that encase Bernhardt’s likeness. As we examine the work more closely, it becomes clear that Gill’s palette, dominated as it is by dark blues and whites, was deliberately chosen to evoke a sense of atmospheric weight. As “Sarah Bernhardt” assumes its intended scale of 44×60 inches, our attention is drawn to the manner in which the chromatic structure modulates across the canvas. The deep blues that suffuse the background seem to recede into an unseen space, while the white accents and lighter tones on Bernhardt’s person appear almost t