Curatorial Narrative In the midst of post-war turmoil, Anton Faistauer’s “Zwei Frauen” (1920) emerges as a testament to the artist’s innovative spirit. This abstract expressionist masterpiece defies the conventions of figurative representation, instead opting for an evocative language that privileges atmosphere over realism. The loose brushwork and vibrant palette of pinks, purples, blues, and yellows conjure an air of modernity, underscoring Faistauer’s commitment to pushing the boundaries of artistic expression. As we gaze upon the two women, their forms dissolve into a kaleidoscope of colors, imbuing the composition with a sense of dynamism and tension.When scaled up to 44×56, “Zwei Frauen” assumes an architectural presence that recalibrates its surroundings. The palette’s chromatic structure, once a gentle hum, now reverberates through the space, casting a mesmerizing glow on surrounding surfaces. As the composition unfolds, spa