Curatorial Narrative In the early 17th century, Anthony van Dyck’s “Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg” (ca. 1628-32) exemplifies the artist’s mastery of Baroque style and figurative subject matter. This monochrome study, characterized by fine brushwork, demonstrates Van Dyck’s ability to capture the essence of his sitter through subtle nuances in tone and texture. The artist’s visual intent is clear: to create an atmosphere of grandeur and elegance, evoking the opulence of Baroque interiors and the timeless principles of Classicism. As a study, this work showcases Van Dyck’s technical prowess, laying the groundwork for his later masterpieces.When enlarged to 46×44, the monochrome palette assumes a profound spatial depth, as if the very atmosphere of the composition has been distilled into a rich, velvety darkness. The fine brushwork, once a testament to Van Dyck’s skill, now become